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Master of the Senate - The Years of Lyndon Johnson

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Master of the Senate The Years of Lyndon Johnson.jpgBook Three of Robert A. Caro’s monumental work, The Years of Lyndon Johnson—the most admired and riveting political biography of our era—which began with the best-selling and prizewinning The Path to Power and Means of Ascent.

Master of the Senate carries Lyndon Johnson’s story through one of its most remarkable periods: his twelve years, from 1949 to 1960, in the United States Senate. At the heart of the book is its unprecedented revelation of how legislative power works in America, how the Senate works, and how Johnson, in his ascent to the presidency, mastered the Senate as no political leader before him had ever done.

It was during these years that all Johnson’s experience—from his Texas Hill Country boyhood to his passionate representation in Congress of his hardscrabble constituents to his tireless construction of a political machine—came to fruition. Caro introduces the story with a dramatic account of the Senate itself: how Daniel Webster, Henry Clay, and John C. Calhoun had made it the center of governmental energy, the forum in which the great issues of the country were thrashed out. And how, by the time Johnson arrived, it had dwindled into a body that merely responded to executive initiatives, all but impervious to the forces of change. Caro anatomizes the genius for political strategy and tactics by which, in an institution that had made the seniority system all-powerful for a century and more, Johnson became Majority Leader after only a single term—the youngest and greatest Senate Leader in our history; how he manipulated the Senate’s hallowed rules and customs and the weaknesses and strengths of his colleagues to change the “unchangeable” Senate from a loose confederation of sovereign senators to a whirring legislative machine under his own iron-fisted control.

Caro demonstrates how Johnson’s political genius enabled him to reconcile the unreconcilable: to retain the support of the southerners who controlled the Senate while earning the trust—or at least the cooperation—of the liberals, led by Paul Douglas and Hubert Humphrey, without whom he could not achieve his goal of winning the presidency. He shows the dark side of Johnson’s ambition: how he proved his loyalty to the great oil barons who had financed his rise to power by ruthlessly destroying the career of the New Dealer who was in charge of regulating them, Federal Power Commission Chairman Leland Olds. And we watch him achieve the impossible: convincing southerners that although he was firmly in their camp as the anointed successor to their leader, Richard Russell, it was essential that they allow him to make some progress toward civil rights. In a breathtaking tour de force, Caro details Johnson’s amazing triumph in maneuvering to passage the first civil rights legislation since 1875.

Master of the Senate is told with an abundance of rich detail that could only have come from Caro’s peerless research—years immersed in the worlds of Johnson and the United States Senate, examining thousands of documents and talking to hundreds of people, from pages and cloakroom clerks to senators and administrative aides. The result is both a galvanizing portrait of the man himself—the titan of Capitol Hill, volcanic, mesmerizing—and a definitive and revelatory study of the workings of personal and legislative power. It is a work that displays all the acuteness of understanding and narrative brilliance that led the New York Times to call Caro’s The Path to Power “a monumental political saga . . . powerful and stirring.”

Winner of the 2003 Pulitzer Prize for Biography, Winner of the 2002 National Book Award for Nonfiction, Nominated for the 2002 National Book Critics Circle Award, Biography/Autobiography.

ISBN-13 : 9780394528366
Publisher : Knopf Doubleday Publishing Group
Publication date : 4/23/2002
Series : Years of Lyndon Johnson Series , #3
Author : Robert A. Caro

Meet the Author

For his biographies of Robert Moses and Lyndon Johnson, Robert A. Caro has twice won the Pulitzer Prize for Biography, twice won the National Book Critics Circle Award for Best Nonfiction Book of the Year, and has also won virtually every other major literary honor, including the National Book Award, the Gold Medal in Biography from the American Academy of Arts and Letters, and the Francis Parkman Prize, awarded by the Society of American Historians to the book that best “exemplifies the union of the historian and the artist.” In 2010, he received the National Humanities Medal from President Obama.

To create his first book, The Power Broker: Robert Moses and the Fall of New York, Caro spent seven years tracing and talking with hundreds of men and women who worked with, for, or against Robert Moses, including a score of his top aides. He examined mountains of files never opened to the public. Everywhere acclaimed as a modern classic, The Power Broker was chosen by the Modern Library as one of the hundred greatest nonfiction books of the twentieth century. It is, according to David Halberstam, “Surely the greatest book ever written about a city.” And The New York Times Book Review said: “In the future, the scholar who writes the history of American cities in the twentieth century will doubtless begin with this extraordinary effort.”

To research The Years of Lyndon Johnson, Caro and his wife, Ina, moved from his native New York City to the Texas Hill Country and then to Washington, D.C., to live in the locales in which Johnson grew up and in which he built, while still young, his first political machine. He has spent years examining documents at the Johnson Library in Austin and interviewing men and women connected with Johnson’s life, many of whom had never before been interviewed. The first volume of The Years of Lyndon Johnson, The Path to Power, was cited by The Washington Post as “proof that we live in a great age of biography . . . [a book] of radiant excellence . . . Caro’s evocation of the Texas Hill Country, his elaboration of Johnson’s unsleeping ambition, his understanding of how politics actually work, are–let it be said flat out–at the summit of American historical writing.” Professor Henry F. Graff of Columbia University called the second volume, Means of Ascent, “brilliant. No brief review does justice to the drama of the story Caro is telling, which is nothing less than how present-day politics was born.” And the London Times hailed volume three, Master of the Senate, as “a masterpiece . . . Robert Caro has written one of the truly great political biographies of the modern age.” In 2010, he received the National Humanities Medal from President Obama.

“Caro has a unique place among American political biographers,” according to The Boston Globe. “He has become, in many ways, the standard by which his fellows are measured.” And Nicholas von Hoffman wrote: “Caro has changed the art of political biography.”

Caro graduated from Princeton University and later became a Nieman Fellow at Harvard University. He lives in New York City with his wife, Ina, an historian and writer.
Biography
"I was never interested in writing biography just to show the life of a great man," Robert A. Caro once told Kurt Vonnegut, who interviewed him for Hampton Shorts. What Caro wanted to do instead "was to use biography as a means of illuminating the times and the great forces that shape the times -- particularly political power."

As an idealistic reporter for Newsday on Long Island, the young Robert Caro thought he understood how political power worked. He had written several prize-winning investigative pieces, including a series denouncing a bridge project proposed by public-works developer Robert Moses. When Caro's editor sent him to Albany to lobby against the bridge, he met with legislators and explained why the project was a terrible idea. The legislators agreed with him -- until Moses made his own trip to Albany and changed their minds.

"I remember driving back home that night and thinking that it was really important that we understand this kind of political power, and that if I explained it right -- how Robert Moses got it and what was its nature, and how he used it -- I would be explaining the essential nature of power," Caro told Vonnegut.

Caro left his job at Newsday to write a biography of Moses, a project he estimated would take one year. It took seven. During that time, Caro scraped by on a Carnegie Fellowship and the advance from his publisher -- an amount so small that he and his wife were forced to sell their house to make ends meet. But Caro persevered, constructing his story of back-room politics from scores of interviews and drawers full of old carbon copies. When his editor at Simon & Schuster left, Caro was free to seek a new editor, and a new publisher. Robert Gottlieb at Knopf shepherded The Power Broker into print in 1974. It would eventually be chosen by Modern Library as one of the best 100 books of the 20th century.

Caro then began work on his magnum opus, a projected four-volume biography of Lyndon Johnson, spending years not only on the research trail but in the Texas hill country where Johnson grew up. The Path to Power, volume one of The Years of Lyndon Johnson, was published in 1982 to thunderous critical acclaim. Means of Ascent appeared in 1990, followed by Master of the Senate in 2002. Each successive volume has sent critics scurrying for new superlatives to describe Caro's "grand and absorbing saga" (Ron Chernow). "[Master of the Senate] reads like a Trollope novel, but not even Trollope explored the ambitions and gullibilities of men as deliciously as Robert Caro does," Anthony Lewis wrote in The New York Times Book Review.

Among Caro's fans are a number of politicians, including former Senate majority leader Thomas Daschle. "I think the thing you learn from reading that magnificent book is that every day, this body makes history," he told Roll Call after reading Master of the Senate. Even British politicians are hooked: one member of Parliament considered sending a note urging the author to speed up publication.

But time is an essential ingredient of Caro's work, whether he's wheedling an interview out of Johnson's cardiologist or writing and rewriting his chapters in longhand before banging out the final text on an old Smith-Corona. And he has no intention of expanding his research team of one: his wife, Ina. Readers eager for the final installment of the Johnson saga will simply have to follow Caro's example, and be patient.


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